Next week, the inspectors will come for the 101st time, and they won’t find the thing I’ve hidden behind the third girder of the north span. It isn’t a defect. It isn’t a crack that will send the bridge plunging 41 feet into the icy water of the gorge below. It is a small, hand-painted stone I found during my first week on the job, tucked into a crevice where only someone hanging by a safety harness and talking to themselves like a madman would ever look. I was caught doing exactly that yesterday-talking to myself, I mean. A junior technician, a kid barely 21 years old, swung down on his line and startled me. He asked who I was talking to. I told him I was arguing with the structural integrity of the rivets, but the truth is, I was just explaining to the stone why it had to stay in the dark.
“There is a peculiar violence in explanation. We live in an era where to love something is to immediately broadcast it, to pin it to a digital board, to strip it of its shadows so that a thousand strangers can weigh its worth in digital currency. But some things, the most precious things, lose their soul the moment they are forced into the light of public accounting.”
Felix L., a man I’ve known